Showing posts with label the proper avengers. Show all posts
Showing posts with label the proper avengers. Show all posts

Monday, 10 April 2023

Big Gay Longcat reviews The Avengers: A Touch of Brimstone

This 1966 episode of The Avengers (the proper Avengers, that is, not Captain America and his friends) is considered a classic of the series for good reason - it is especially memorable for one reason, and that reason is a naughty one at that!

Alongside Patrick Macnee as John Steed and Diana Rigg as Mrs Emma Peel, the baddy-of-the-week is played by Jason King himself, Peter Wyngarde, in the first of his two appearances in The Avengers. Purr.

Steed had better look out, or he might not be the most handsome manny in his own show any more. But then Wyngarde should know, if anyone does, that if you come at the King, you best not miss.


It starts with us watching Peter Wyngarde watching television. He is enjoying some expensive luxury noms as the programme he's watching shows a cigar exploding in the face of a Russian manny, and he seems amused by it. Wyngarde does, I mean, not the Russian manny. This prototype version of Game For A Laugh still needs some fine tuning if you ask me. We don't know who Wyngarde is playing yet, or what he wants, which establishes an air of mystery to draw in and intrigue viewers early on. As if the mere presence of Wyngarde isn't enough to do that already!

Steed tells Mrs Peel there have been other pranks played on diplomats and politicians recently, so now they are on the case. Steed already suspects a manny called "the Honorable John Cleverly Cartney," presumably on the grounds that if he is played by Peter Wyngarde he must be the baddy, so he sends Mrs Peel to investigate him.


"I've come here to appeal to you, Mr Cartney."
"You certainly do that."
Smoove. He invites her to come with him to Paris, like he is already playing Jason King. Mrs Peel is just leaving when Lord Darcy enters. With it being another 30 years before Colin Firth would become synonymous with that name, there's a different Colin playing him - Colin "Inspector Lestrade" Jeavons. Once Mrs Peel has left, Carney and Darcy discuss another prank they are planning.

Mrs Peel describes Cartney to Steed as "handsome, and dynamic, very compelling, quite fascinating." That describes Peter Wyngarde alright. Purr. (Although it also describes me. Maybe Mrs Peel has met me?) They dash off to where the next clue has led them but, because Brian Clemens wrote this episode, they are too late and a manny has been killed just before they get there.
"Well it's no joke anymore."
says Steed.


Cartney is busy having kiffs with Sara Bradley, who is played by Carol Cleveland, later to become much more famous from her appearances in Monty Python's Flying Circus. Naughty Cartney! He's too busy to meet with Darcy, but then a little later on he isn't too busy to meet Mrs Peel. Very naughty Cartney!

It is therefore Steed who meets with Darcy, and gets him drunk enough to tell him the plot. Darcy had to help with Cartney's prank because of the rules of their club, called "the Hellfire club," but he didn't mean to kill anybody so now he feels guilty about it.

A soon as Steed finds out about the club we cut to it, where lots of mannys are having noms and kiffs and getting up to who knows what naughtiness just out of shot, doubtless all too naughty to show on TV. Who knows, maybe even some manly handshakes? Scandalous! Cartney, Sara and Mrs Peel come in and Cartney joins in the fun, while Mrs Peel looks on unimpressed.

Darcy bursts in and demands to speak to Cartney, who responds by giving him a patented Wyngarde stare. Then he agrees to have a meeting with Darcy, but only after him and his henchmannys have had time to put on their scary masks and hoods.


This is all just an excuse to get Darcy to stand in a spot where they can drop him down a trapdoor. Frequent Health & Safety violations are another way in which the club behaves naughtily.

Mrs Peel introduces Steed to Cartney and gets him an invitation to the next meeting of the naughty Hellfire club. One of the henchmannys tells Steed
"We believe in the power of evil, Mr Steed. We believe in the ultimate sins. Have you ever committed an ultimate sin, Mr Steed?"
They give Steed a couple of tests before he is allowed to join their club. The first one is to drink a big cup of what we may infer (it is not stated, presumably so as not to be a bad influence on the viewers at home) is incredibly strong alcohol. Steed enjoys this so much he asks for more - this is Steed we're talking about, after all.

The second test is to blow a pea out of the way of a henchmanny with an axe. Steed also manages this one easily, much to the surprise of the baddys. I wouldn't have managed it, but then I'm a cat made from socks. The henchmannys are all impressed by Steed, except for Cartney who is annoyed at Steed stealing the scene.

Steed pretends to leave, but really stays behind to secretly listen to their plotting, and so finds out that their big "coup" is to take place the next night.


The next night, Steed and Mrs Peel get dressed up to go back to the club. The henchmannys get up to their naughtiness again, but Cartney is missing so Mrs Peel goes to look for him and to find out what they need a load of fireworks for. She sees that the fireworks are really "T.N.T. High Explosives." Cartney appears and gets his "ladies-in-waiting" to take Mrs Peel away for a costume change.

Sara tells Steed that Cartney's plan is to "topple the government and then take over" by using tunnels under the house that lead all the way to Chequers "Culverston House" where "there's a cabinet meeting there tonight."
"Not for long. One big bang and they'll all be gone..."
As poorly thought out as this plan appears to be (Step 1: Blow up the government. Step 2: Take over the government), Steed rushes off to try to foil it. He doesn't get far before Cartney returns and announces
"I give you the queen of sin - Mrs Peel."


Mrs Peel is dressed very differently from before, and even has a snake! I think there's some naughty subtext on display here, but I can't quite see it for all the naughty text in the way.


Steed is so surprised that he forgets he's supposed to be saving the government and stays around to enjoy the next scene. He gets in a swordfight with a henchmanny called "Willy" (lol) who is supposed to be the best in the club at fighting, while Cartney goes after Mrs Peel with a whip - for a different sort of fight, I suppose, mew.

The swordfight is a properly dramatic scene, with lots of moves that wouldn't be out of place in a classic historical swashbuckling film. Mrs Peel gets in a fight with a henchmanny that is more in the usual tongue-in-cheek tradition of The Avengers, with her mimicking his moves after she has handled him easily (I mean beaten him. I mean defeated him), but then Cartney arrives for a more serious fight using his whip.


This being the room with the trapdoor in it, he is eventually hoist with his own petard when he whips the lever to open the trapdoor, just as he happens to be standing on it. I guess it just goes to show... if you come at the queen of sin, you'd best not miss then either. Mew.

Well with that, it's all over bar the unfunny pre-end-credits skit - which for this episode is particularly unfunny even by the standards of this show, barely even qualifying as a skit. We don't need to stay to see the rest of the henchmannys defeated - with Wyngarde out of the picture, everyone involved and viewers at home alike have all rapidly lost interest in continuing with proceedings. And who can blame them?

Tuesday, 21 February 2023

Look - (stop me if you've heard this one) But There Were These Two Fellers...

Yes that is the title.


The Avengers had been getting increasingly comedic for a while, but did it ever get more overtly comedic than this 1968 tale of two clowns bumping board directors off under orders from a Punch & Judy Show? The way the killers dance off after every murder is genuinely funny though, and there is an additional meta-element to the amusement because they are breaking the fourth wall to do it, acknowledging and playing up to the camera and, thereby, the viewers at home.

John Steed and Tara King try to get in on the double-act game, but Steed works better as a witty character, not an outright clown indulging in cheap gags and slapstick.


And another thing that makes this episode remarkable is the presence of John Cleese, in what was (probably, based on a minimal amount of internets research) his first TV role outside of sketch shows. The absurdity of storing hundreds of fragile eggs on rickety shelves is amplified by Cleese's character's eggsaggerated nervousness around them. It is obvious from the moment we first see thee gees that they are going to end up smashed, so there is joy to be found in the eggspectation.


And another guest-star of note is Bernard Cribbins, playing the former gag writer for one of the killer clowns. We meet him surrounded by thousands of discarded pieces of paper, each one a rejected gag. A year before "Ernest Scribbler" would appear in Monty Python's Flying Circus's 'funniest joke in the world' sketch, Cribbins's character shows that this particular stereotype was already well-established, and this a particularly outrageous example of it.


Killed off in case he can identify the clowns, Cribbins still manages to do exactly that, and gives Steed the clue that sets him on their tail. Though in order to find the clue he has to go hunting through the masses of paper, a situation as inevitable in its own way as the breaking of the eggs was.

And Talfryn Thomas makes a creepy late entrance as pyromaniac magician "Fiery Frederick," the member of the evil entertainers gang who is prepared to murder Tara (as a part of his magic act, naturally) when the killer clowns themselves prove too squeamish. This walks the line between remaining comedic and being genuinely tense, a blending of the two tones that was practically a trademark of The Avengers in its last few seasons, before spreading to become a staple of late '60s/early '70s telefantasy in general - no doubt because of the significant overlap in writers and script editors.


And as the evil entertainers have their final meeting with their leader (the Punch & Judy Show concealing his identity like he is Blofeld in the early Bond films), Steed and Tara infiltrate it disguised as a pantomime horse, leading to a confrontation with the real ('real') pantomime horse that is already a member of the gang. They club all the gang members over the head until only the two clowns and the boss are left. Steed has to club the ventriloquist's dummy as well as the ventriloquist, because of he course he does.

Steed's fight with the clown who is also a quick-change artist sees Steed having to defeat each of his costumes (acting like extra lives) in succession, with the final punch sending him speeding back through all the changes we have just seen before he collapses. Tara fights with the mute sidekick mostly offscreen, vanishing into a magician's cabinet before emerging with her defeated opponent. Steed and Tara reunite to easily defeat the boss, then dance off the screen in the manner previously used by the clowns - they don't normally break the fourth wall in this way, or even imitate their antagonists for that matter, but in this case it is symbolic of their ultimate triumph over an opposition who did get to play around with the format.


I could say the same about the coda involving Steed quick-changing, but that's just the usual sort of lame joke these episodes end with as standard.
I suppose it does prove that the normal level of humour has been restored. Mew.

Wednesday, 2 January 2013

350th post

It is now 2013. Last year there was a lot of talk on the internets about the Avengers. I really like the Avengers, but sadly the internets-talk was almost all about Captain America, the Hulk, Iron Manny and so on. While I like Iron Manny as much as the next cat, and Gamma Longcat likes the Hulk so much that we once collaborated on a story in which the Hulk meets Willy from Mission: Impossible and Gamma Longcat managed to make it the whole way through without any naps, they are not the best Avengers.

This is the best Avengers:


This year I will be watching lots of Avengers with John Steed to make up for the lack of him in Avengers last year. Hopefully they will remember to include him in the sequel, but if not then I will make up for it by writing stories in which he meets Tony Stark and they have adventures together.

Tuesday, 15 March 2011

What does this mean?

I noticed this when I was watching The Avengers:



What does it mean?
Is Avengers set in the same world as Blakes 7?
Does this mean John Steed could go on adventures with Avon and Tarrant?
Ooh, just think of the possibilities...

Sunday, 23 January 2011

150th post

I have been watching lots of Avengers recently, it is very good and I like Steed, he is a very cool manny - so cool he is almost a cat.
My best episode so far is The Hidden Tiger, when baddys turn cats into tigers!

I have also seen The New Avengers. It doesn't have Emma Peel in it, it has Mike Gambit and Purdey instead, though Steed is in it which is good because I like him. I think Mike Gambit is my favourite though, he is a very handsome manny and it is funny when he unsuccessfully flirts with Purdey. I think he likes Steed really.
My best episode of New Avengers so far is Cat Amongst the Pigeons. I don't want to give too much away, but cats save the day at the end!

I still like Star Trek, and I have been watching the Animated Series with Star Cat. It is different from normal Star Trek in that they are all cartoons and the stories are shorter (which leaves more time for sleeps so that is good in a way), but the characters are the same.
Here is a picture of cartoon Sulu:

Bye bye for now, I have more Avengers to watch!

Wednesday, 5 January 2011

Caturday Presents

Look what Duncan got for Caturday (or it may have been Christmas, that's what mannys have instead of Caturday).


It is series 4 and series 5 of The Avengers, with Diana Rigg and Patrick Macnee. I look forward to watching them this year.